Make-up suitable for high lights

Make-up suitable for high lights

MODELING WITH HIGH LIGHTS AND SHADOWS

Now you have learned the general characteristics of your face. The second step is to learn how to change the appearance of these features using high lights and shadows. The view from the square covers some ages more often than this, although the cheeks are rounded, the jaws are more pointed, or they do not tilt their noses.

In youth, solid muscles and elastic skin collapses and replenishes the flatness of the impact on the bone structure of the skull. But accompanied by age and sagging muscles, this bone structure becomes increasingly. So the first thing to do to age the face is to visualize the skull of the skull and learn with our fingers.

Obviously the only and most important factor is to learn how to bring the three-dimensional image into the bones, and the additions to the use of two-dimensional painting techniques are to learn what happens when the directional light falls on three-dimensional matter. When the subject is understood, a simple solution can be found by asking the following three questions to all the problems involving realistic styles in makeup:

Make-up suitable for high lights Photo Gallery




THREE POINTS TO BE CONSIDERED:
1 What is the exact shape shown? (A jawbone or a wrinkle?)

2 Where does the light come from? (Is the scene normally lit from below or from above, what is the direction of the light?)

3 What happens when light shines a light on this structure in the parts of the light and the shadow?

The answers to these questions will clearly show where the light will be and where the absence of the light will make it dark. These illuminated and dark areas can be painted on the face, bringing the appearance of the protruding bones and wrinkles in the place where they do not really exist, for the observer.

Make up suitable for high lights

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