Professional Facial Makeup
FIVE AREA IN THE FACE
If you are using make-up (dry or damp type) and you have a shade of red that is not red enough, you can apply shade as if you were in cream or oily makeup, instead of mixing colors. Then, as you have done with the make-up, brush on the dry alum and add red towards the end.
Now, when you rescheduled the face like a whole, you experimented with high lights and shadows, and you think of the problem of choosing colors for special characters. The face will be divided into areas so you can experiment in detail to style these areas. Take five areas and divide them into eyes, nose, cheeks and chin. Each area will then be divided into levels for further analysis.
Professional Facial Makeup Photo Gallery
AREA 1: BUY
Planes: As you can see, five planes are split. Plane A and C are the front and back bones. D is temporary holes, and B is a weak hole between two protrusions.
A simple method of aging is to flood these planes with high light and shadow. The two projections and C catch the light, and it should be illuminated. The recession B may be slightly shaded by falling between them. Nevertheless, be careful when emphasizing too much shadow over the long distance when making a real makeup. If you are using a dark foundation color, you will not need to add shadows.
Lighting can be done with a brush, a sponge or fingers. The figure explains the technique used with the brush with examples. A larger or larger brush can be used. If you have only a narrow mouth, then use your fingers for oil or cream makeup or a sponge for the mold.
For a protruding brow, carry a strong high beam in all directions of the front plane of the belt, shade deeply over the eyebrows to push it inward, in the direction of the nose bridge.
Temples for ages are almost always shaded. These shadows can be perceived in middle age. But it is generally less pronounced in the following years. Shadows tend to be denser in the inner corner and tend to light up as the hair approaches.
A strong light with the light coming from the bottom will fall on the upper part of the front bead. If there is a vertical divider in the middle of your forehead (better noticed in Profiler), the area that comes forward from under this divider will catch another strong light. The area immediately below this section will be less powerfull illuminated. This is a field you do not wish to use or want to use a very weak shadow.
When there are no wrinkles to crease the skin, all the corners of the high light and the shadow will be soft. If you want to make the alm more round or swollen, apply it on a slant pattern with high lights and shadows.
Wrinkles: If you want to apply a wrinkled wrinkle, make sure you style wrinkles meticulously and follow natural wrinkles. On the other hand you will get a set of double wrinkles when lifted. Young people, in which natural wrinkles have not yet come to fruition, and you can not raise something by raising alms, you may wish to use wrinkled foreheads as a guide.
Before styleing forehead wrinkles, observe the natural wrinkles of yourself or another person, and note where the underpinnings and wrinkles catch the lights.
Under or over this wrinkle? Take a careful look at the photos in your archive and they will allow you to see exactly how the light specimens fell, especially in this section, by the action of a series of half cylinders. Once you understand the rule contained, you will never make mistakes in painting the wrinkles down from the upside. If you always keep the sharp corners curled and clean, you will create sharp wrinkles. It may be helpful to follow the steps given below.
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